Scottish Landscape painter ,1805-1867 Scottish painter. He was trained in the studio of the Glasgow landscape painter John Knox (1778-1845) and at first earned his living as a decorative painter. By the early 1830s McCulloch's exhibits with the Glasgow Dilettanti Society and with the Royal Scottish Academy had begun to attract buyers, notably the newly instituted Association for the Promotion of the Fine Arts in Scotland. Commissions from book and print publishers allowed him to concentrate on easel painting. On his election as full Academician of the Scottish Academy in 1838, McCulloch settled in Edinburgh and soon became a prominent figure in the artistic life of the capital and a prolific contributor to the Royal Scottish Academy exhibitions. At the same time contact with Glasgow was maintained: McCulloch's favourite sketching grounds were in the west, he exhibited regularly in the city and his most loyal patrons were wealthy Glasgow industrialists such as David Hutcheson (1799-1881), the steamship owner. He seldom exhibited outside Scotland and only once at the Royal Academy, London (1843), but he kept in touch with London artist-friends, John Phillip, David Roberts and John Wilson (1774-1855), through correspondence and visits. His own art collection was evidence of his admiration for 17th-century Dutch painters, for J. M. W. Turner and Richard Wilson.  Related Paintings of Horatio Mcculloch :. | Sandbanks on the Lore | Chrysanthemums and Wild Flowers in a Vase (nn04) | Portrait of Pierre Drevet | Demolition of the Grand Bazar de la Bourse in Amsterdam at the Nieuwendijk | Valeton portrait |
Related Artists:
DOMENICO DI MICHELINO
Italian painter, Florentine school (b. 1417, Firenze, d. 1491, Firenze) Italian painter. He took his name from his teacher, a carver in bone and ivory named Michelino. He was elected to the Compagnia di S Luca in 1442 and joined the Arte dei Medici e degli Speziali on 26 October 1444. In 1459 he received payment from Lorenzo Pucci for a processional banner (untraced) for a confraternity based in S Francesco, Cortona. Four years later he was paid for some figures of saints (untraced) for a cupboard belonging to the Compagnia di S Maria della Purificazione e di S Zanobi,
Franciszek Smuglewicz
(October 6, 1745 - September 18, 1807) was a Polish-Lithuanian draughtsman and painter. Smuglevičius is considered as a progenitor of Lithuanian art in the modern era.Some scholars consider him as a spiritual father of Jan Matejko's school of painting.[citation needed]. His brother was Antoni Smuglewicz. Smuglewicz was born in Warsaw into a Polish-Lithuanian familyHis father, Łukasz Smuglewicz, also a painter, had moved to Warsaw from the province of Samogitia. In 1763 Franciszek journeyed to Rome, where he began the study of fine arts under the tutorship of Anton von Maron. He stayed in Rome for the next 21 years, where he embraced the Neo-Classical style. In 1765 he received a royal scholarship from king Stanisław August Poniatowski and was admitted into the Saint Lucas Academy. As a colleague of Vincenzo Brenna he participated in cataloging artifacts from Nero`s Domus Aurea. In 1784 he returned to Warsaw, where he founded his own school of fine arts, one of the predecessors of the modern Academy of Fine Arts.
george frederic watts,o.m.,r.a.
1817-1904